Russian Gershwin
Friday, September 24, 2010, 8:00 p.m.
Clarice Smith Performing Arts Center at the University of Maryland.
No other American composer straddles as many musical worlds. In the realm of popular song and jazz, Gershwin’s genius has long been celebrated. In the world of classical music, he was long marginalized as a “pops” composer —but no longer. Post-Classical Ensemble explores “interpreting Gershwin” —the man and the music.
Program
Gershwin: Prelude no. 2 (1926, as broadcast by the composer in 1932).
Gershwin: Prelude no. 2 (an improvisation by Genadi Zagor).
Gershwin: Rhapsody in Blue (1924, as scored by Ferde Grofé for the Paul Whiteman Band); Genadi Zagor, piano.
Gershwin: Piano Concerto in F (1925). Allegro moderato; Andante con moto; Allegro con brio.
Gershwin: Cuban Overture (1932)
Piano
Genadi Zagor, Vakhtang KodanashviliConductor
Angel Gil-OrdóñezViolin 1
David Salness (Concertmaster, Eric Lee, Yvonne Lam, Eva Cappelletti-Chao, Reiko Niiya-Chow, Jennifer RickardViolin 2
Sally McLain, Tim Macek, Najim Kim, Jennifer Himes, Sara SherryViola
Phillippe Chao (principal viola), Uri Wassertsug, David Basch, Kyung LeBlancCello
Steven Honigberg, Liz Davis, Kerry van LaanenBass
Ed Malaga, Jeff KoczelaFlute
Adria Foster, Nicolette Oppelt, Jonathan BaumgartenOboe
Mark Hill, Wes NicholsEnglish Horn
Carole LibeloClarinet
David Jones, Kathy MulcaheyBass Clarinet
Ed WaltersBassoon
Don Shore, Ben GreanyaContrabassoon
Eric DircksenHorn
Greg Drone, Ted Peters, Mark Hughes, Paul HopkinsTrumpet
Chris Gekker, Tim White, Phil SnedecorTrombone
George Allen, Mark Mauldin, Paul SchultzTuba
Mike BunnSaxophone
Ed Walters, Ben Bokor, Chris VadalaPercussion
Bill Richards, John Spirtas, Danny VillanuevaTimpani
Jonathan RancePiano
Naoko TakaoGuitar/Piano
Wiley Porter
Read the complete program, click here>
Read the review of Russian Gershwin, click here>
This project is supported in part by an award from the National Endowment for the Arts.




