Leadership

Angel Gil-Ordóñez

AngelMusic Director

The former Associate Conductor of the National Symphony Orchestra of Spain, PostClassical Ensemble Music Director Angel Gil-Ordóñez has conducted symphonic music, opera and ballet throughout Europe, the United States and Latin America.In the United States, he has appeared with the American Composers Orchestra, Opera Colorado, the Pacific Symphony, the Hartford Symphony, the Brooklyn Philharmonic, the Orchestra of St. Luke’s and the National Gallery Orchestra in Washington. Abroad, he has been heard with the Munich Philharmonic, the Solistes de Berne, at the Schleswig-Holstein Music Festival and at the Bellas Artes National Theatre in Mexico City. In the summer of 2000, he toured the major music festivals of Spain with the Valencia Symphony Orchestra in the Spanish premiere of Leonard Bernstein’s Mass.

Born in Madrid and an American citizen since 2009, he worked closely with Sergiu Celibidache in Germany for more than six years. He also studied with Pierre Boulez and Iannis Xenakis in France. Currently the Music Director of Post-Classical Ensemble in Washington, D.C.. He also serves as advisor for education and programming for Trinitate Philharmonia, a program in León, Mexico, modeled on Venezuela’s El Sistema, conducting its youth orchestra and choir several weeks per year.

A specialist in the Spanish repertoire, Mr. Gil-Ordóñez has recorded four CDs devoted to Spanish composers, in addition to Post-Classical Ensemble’s Virgil Thomson and Copland CD/DVDs on Naxos (Artist of the Week for both releases).

In 2006, the King of Spain awarded Mr. Gil-Ordóñez the country’s highest civilian decoration, the Royal Order of Queen Isabella, for his work in advancing Spanish culture around the world, in particular for performing and teaching Spanish music in its cultural context. Mr. Gil-Ordóñez received a WAMMIE award in 2011 from the Washington DC association of professional musicians in the category of best conductor.

Currently, Mr. Gil-Ordóñez also holds the positions of Principal Guest Conductor of New York’s Perspectives Ensemble, and Music Director of the Georgetown University Orchestra in DC.

Joe Horowitz

joeExecutive Director

Executive Director Joseph Horowitz has long been a pioneer in classical music programming, beginning with his tenure as Artistic Advisor for the annual Schubertiade at the 92nd Street Y. As Executive Director of the Brooklyn Philharmonic Orchestra, resident orchestra of the Brooklyn Academy of Music, he received national attention for “The Russian Stravinsky,” “American Transcendentalists,” “Flamenco,” and other festivals exploring the folk roots of concert works.

Now an artistic advisor to various American orchestras, he has created more than three dozen interdisciplinary music festivals since 1985 —including the annual American Composers Festival presented by the Pacific Symphony Orchestra. In Fall 2008, he inaugurated the New York Philharmonic’s “Inside the Music” series, writing, hosting and producing a program about Tchaikovsky’s Pathétique symphony; his subsequent and pending Philharmonic productions explore Dvořák, Brahms and Stravinsky.

He is currently curating thematic festival projects for the Florida Symphony, the Pacific Symphony, the Pacific Symphony Youth Orchestra, the North Carolina Symphony, and the Buffalo Philharmonic.

Called “our nation’s leading scholar of the symphony orchestra” by Charles Olton, former President of the American Symphony Orchestra League, Mr. Horowitz is also the award-winning author of eight books mainly dealing with the institutional history of classical music in the United States. Both his Classical Music in America: A History (2005) and Artists in Exile: How Refugees from 20th Century War and Revolution Transformed the American Performing Arts (2008) were named best books of the year by The Economist. As Project Director of a National Endowment for the Humanities (NEH) National Education Project, as well as an NEH Teacher Training Institute, he is the author of a book for young readers entitled Dvořák in America, linked to a state-of-the-art DVD.

For the National Endowment for the Arts, Mr. Horowitz servee as Artistic Director of an annual national institute for music critics, based at Columbia University. A former New York Times music critic, Mr. Horowitz writes regularly for the Times Literary Supplement (UK) and contributes frequently to scholarly journals. He lectures widely in the United States and abroad. His many honors and awards include a Guggenheim Fellowship, two NEH fellowships and a commendation from the Czech Parliament for his many festival projects exploring Dvořák in America. His website is www.josephhorowitz.com. His blog: www.artsjournal.com/uq.

(Photo: Maggie Horowitz)

Directors and Advisors

Board of Directors
Robin Berrington, Secretary
Timothy Bork
Dr. Lorenzo Candelaria
Liz Cullen
Christopher Denby, Chair
Glen S. Fukushima
Robert Gelbard
Christopher Gekker
Angel Gil–Ordóñez
Eric J. Larsen
Dr. Carlotta Miles
Tamara Munk
William Richards
Irene Roth
Patrick D. Smith

Advisory Board
Philip Bennett
Arturo Brillembourg
Anna Celenza
David Chambers
Nancy Chasen
Lizette Corro
Christopher B. Cowan
John Farina
Máximo Flügelman
Philippa Hughes
Barry Passett
Janet Rogozinski
Ambassador Arturo Sarukhan
Annie Totah

The Getty Foundation
WETA
The Washington Ballet
Washington National Cathedral
WWFM The Classical Network
Edlavitch DCJCC
American University
Artmentor Foundation
Marpat
AHMSA
Artworks
Cafritz
DCCAH
Dallas
Graham Holdings
Washington Performing Arts
Georgetown DPA
Georgetown
Indonesian Embassy
national gallery